Focus in!

Crop to bring the attention to the main object or person. In a portrait, the person’s eyes are the focal point. If the person is looking sideways, make sure to allow ‘space’ for her to look into or include enough of the object so the viewer knows what the the person is looking at. Otherwise the viewer will wonder what is missing.

Cropping also lets you remove the parts of the picture that didn’t turn well, let’s say because of awkward posing like in the example below.

Don’t amputate!

Cropping off people’s limbs at joints makes them look like amputees. Despite a very popular concern, it’s okay to crop part of the head if it’s a close portrait, as it will bring more attention to the eyes.  Cutting between the joints is alright as long as it’s still possible for the mind’s eye to fill in the blanks to complete a person’s torso or limb.

An example of bad cropping where the hand cut off at the wrist appears detached. The only way to fix this effect is to re-crop the photo to a close portrait.

Combine tilting with cropping!

In some situations tilting can save the day when you realize the only photo that you like is still bad.

Remove distractions!

Remove the view-spoilers, parts of unidentifiable objects and things that distracts from the story the image is telling.

Someone's back was a view-spoiler in otherwise a nice portrait. The photo allowed for easy cropping that brought the new balance to the composition by seemingly adding to the empty space in the direction of the person' glance.

Watch the ‘negative space’!

This is the space around the central object. Cropping too tightly will make the photo look awkward.

Cropping Contextual Images

The images surrounding the person or the object in the center of attention serve as the context and create the picture story and establish the mood. It becomes a critical compositional component that need to be cropped to have a balanced visual effect. To reach the optimal result, it is recommended to follow the Rule of Thirds.

The Rule of Thirds: Divide the frame into thirds horizontally and vertically. The points where those lines intersect are good starting points to place the main subject. Essentially the primary subject is slightly off center.

In the original photo the person is put squarely in the middle and the background is cropped too tight leaving no breathing space above and below the figure. By cropping right below the hand (not to lose the gesture) and reducing the space on the left we re-balance the composition to bring it it in line with the Rule-of-Thirds.

You might find it impossible to follow all these rules as they start to clash when your photo has more than one problem. You would need to compromise or send it to us at PhotoHand and we’ll apply more advanced techniques to perfect your mementos.

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You might also want to read:
Cropping Photos to Match Printing Standards
Other Point-and-Click Tips

An aspect ratio is simply the ratio between the width and height — the shape of an image. A square photo, for example, would have a 1:1 aspect ratio where the width is the same as the height.

Most digital point-and-shoot cameras have a set frame aspect ratio of 1:1.33 (known as 4:3) when most DSLRs use the aspect ratio of 1:1.5 (known as 3:2).

In comparison, standard photo paper sizes have the following aspect ratios:
6″x4″ – 1:1.5
7″x5″ – 1:1.4
10″x8″ – 1:1.25

As you can see the DSLR aspect ratio fits the format of 6″x4″. In other situations you need to crop your photo.

It is recommended that you crop the photos yourself before sending them to a printer. Otherwise they will use their own judgment what parts of the photo can be sacrificed.

If you need a photo editor, we recommend using GIMP – free open-source software that has been around for quite a while:

for Windows:

http://www.gimp.org/downloads

for Mac

http://www.gimp.org/macintosh

Gifts that are uniquely personalized with photos are perfect for Christmas, birthdays, weddings and anniversaries adding a nice personal touch to the tradition. The variety of photo gifts on offer has been steadily increasing. Now it’s the time to step up the quality of these keepsakes that is usually impaired by the flaws of the original photo image.

PhotoHand – a leading online specialist in photo fixing and design – comes to the rescue by putting the brains before the brawn and perfecting the image before it goes in photo gift production. Properly edited and enhanced, bland images turn into editorial-style photography that transforms any gift item into a precious memento.

Artful application of photo retouching and graphic design makes all the difference between stylish and cheesy and brings photo gifts in line with the modern aesthetics.

With so many options people go for this Halloween, Mr. Card chose to devise a Nikon D3 DSLR Halloween costume that actually takes real digital photos.

If you making a mental note to make such a costume next year, here is an instructional video.  After all, given that taking photos is a form of socializing there is a good change Mr. Card was very popular this weekend.

Why good profile pictures matter
Remember, first impression are difficult to change and a business portrait is the ideal way to show the public exactly who you are. So you need to put your best photo forward to produce the right first impression and there are several things to take into account when making that picture perfect.

How to pose
You need a shot where you look relaxed but confident and look into the camera for eye contact. The purpose of a business portrait is to connect and establish trust while you are not physically there.

How to dress
First, wear something comfortable – posing is hard the way it is and wearing clothes that don’t sit well will make you look stiff and unnatural. On the other hand, be aware of clothing that wrinkles easily as that will look sloppy and unprofessional.

Otherwise, your choice of clothing should be dictated by the type of image you are looking to project – conservative, friendly, artsy or approachable. Still, there are certain photography-related technicalities and some natural rules of perception to be taken into account.

Keep in mind that all black clothes might come out as a solid black spot while all white will reflect the flash light and might “blind” the camera. Off-white, navy blue, gray and brown, are better choices for neutral colors.

For women, avoid open shoulders and deep cuts. When you photo is cropped to fit the online format or the layout of the publication, you might appear as if wearing no clothes. It is better if you wear a long sleeve shirt which is more flattering on arms than short. Avoid busy prints and jewelry – they are distracting in photos.

Hire a professional or use a lucky amateur shot
Needless to say that a professional will deliver a good portrait with ease helping you with posing and setting the lighting in no time. But hiring a professional is not always an option when you are self-employed or an entrepreneur on a tight budget. In this case, if you have a good shot taken by an amateur, it can be enhanced to the level of the studio portrait. The photo below was improved at $11.95. Without the change of the background, this would have cost $3.50 – an affordable expense for any budget.

Contemporary consumer cameras go to 10 Megapixels and higher to give you top-notch resolution of any professional camera. With a good lighting, your friend, colleague or a family member can produce a decent shot of you that will be enhance to the grade of a studio portrait by a retoucher.

Should I get my photo retouched?
Professionally shot “executive portraits” normally get retouched. This is a subtle procedure to give your image a “fresher” (not younger) look. Any temporary skin imperfections like blemishes and rashes that tend to pop up in digitally shot photos due to the sharpness of the capture get evened out. If your eyes welled up with tears during intense posing and exsessive lighting, the retoucher will dry them and fix the eye redness. Flyaway hair that gives the image a sloppy look is removed. Makeup is fixed. Eyeglasses glare and unsightly facial shadows get eliminated. For men, shaving mishaps get corrected. Flashlight reflection that makes the face look oily is toned down. Lint is removed from clothing.

These might sound like trifle things but all these tiny imperfections, hardly noticeable in reality, get into the limelight when a person sees your photo for the first time. After all, it’s 70% how you look, 20% how you sound, and 10% what you say.

Trendy Camera Straps offers an elegant collection of neck straps and wristlets for men and women that features modern design pattern.

Capture Couture offers a variety of material- silk, organza, tapesty – get several for different occasions and seasons.

In the mood for funky monkey, pink bling or green camouflage, there are themed camera straps for you.

There is something for everyone. Pick your style!

I couldn’t understand her logic. If you are shooting a picture for keeps and posting online you would normally pretty yourself up to have a photo that celebrates you and brings you in a good mood.You would ask someone to take the photo of you so that person would give you directions for better posing.

Then there was another comment that made me join the discussion. She compared the “honesty” of her photo to the “naturalness” of Annie Leibovitz photography. Without stating the obvious points of difference between the lady’s self-portrait and the creations of a genius, I’ll get to the educational part: the ‘naturalness’ of great portraits is achieved through hours of collaborative work.

For starters, the photographer will help you with posing and your facial expression to make sure you do relax and do look natural in front of the camera. A real professional will make sure the background doesn’t have any distracting elements to spoil the view: water bottles, bags, exit signs, or any other clutter.

S/he will watch out for stray strands of hair, wardrobe malfunctions, and other obvious issues.

A top-level photographer comes with a crew that includes, depending on the budget, the following type of helpers:

- Lighting Assistant who directs a reflector to bounce light onto the subjects, sets up flash stands and adjusts the settings on external flash units, and holds and aims video lights.

- Photographic Stylist who collects the necessary materials and props before the shoot from various suppliers, arranging objects in the desired fashion and setting up lights and special effects, if any, e.g. fog, wind or rain.

- Hair and Makeup Stylist – Even a natural beauty that doesn’t need much help but a little enhancement can go a long way with some makeup. As a minimum, you need a flash-resistant foundation so that your skin doesn’t appear oily. During the shoot, this professional corrects the smudges and watches out for stray strands of hair.

- Wardrobe Stylist – knows how to accentuate the positive attributes of the people they dress. Choosing the right outfit to flatter someone—in a way that is appropriate for each event—is an art. Fashion styling requires extensive knowledge of the fashion industry and a knack for matching your clients with the clothing that will support the image they want to project.

Depending on the chosen style these professionals can present different facets of YOU.

In 2008, Vogue Paris demonstrated how, without any retouching, and only with the application of makeup, wardrobe lighting the same woman could appear as a 10, 20, 30, 40, 50 and 60-year old:

Vogue Paris November 2008 with Eniko Mihalik by Inez van Lamsweerde and Vinoodh Matadin styled by Carine Roitfeld, make-up by Lisa Butler

Technically, these are natural (unretouched) photos, unless you consider makeup that women wear routinely to be a grand illusion. But somehow I think that discretely retouched portraits where photography flaws have been eliminated, skin has been cleaned, undereye shadows lightened, static hair removed, and the background clutter eliminated to be more ‘natural’:

The photo camera and the Polroid were crafted by design studio Zim and Zou based in Nancy, France, and there is more colorful retro electronic devices made of paper to admire.